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There are more than 200 results, only the first 200 are displayed here.
An old man boarded the bus, seating himself next to me and behind the boys. He was unshaven, and his jeans had seen better days. He sat quietly for a few minutes, observing the scene, and then he tapped the nearest boy on the shoulder. 'I'm impressed by your enthusiasm, and it so happens I've written a poem about that subject. Here it is.'
A little over 77 years ago, Allied forces fighting in northern Greece were overwhelmed by German strength. In Kalamata, for years now there has been a wreath-laying ceremony at a memorial close to the waterfront. It occurs days before the Nakba, the remembrance of Palestinian displacement that this year marked 70 years.
Philip Larkin spent 30 years as a librarian, but famously wrote a rebellious poem in which he asks plaintively: 'Why should I let/the toad work/Squat on my life?' Technology is not the only force that shapes our destinies, an idea I need to remind myself of whenever I start worrying about the future of my children and grandchildren.
The refugees on Manus Island are not simply actors in a dramatic poem. They are human beings like us to whom we have a responsibility. They could have enriched us by their ingenuity and bravery had we accepted them. We should continue to listen to their voices and keep them in our hearts.
We do not know what we want. And we do not want what we know. Like shadows hanging in the air, their threads of reality unravelling, absenting themselves from the world. She said time erases life. He said let's be timeless. She said it would be dark. He said he hated daylight. She said it would be lonely. He said he prostituted his mind talking to people. She said he is mad. He said may God preserve him from sanity. She said: God will. And God did.
Does poetry still matter in our Twitter society? Such was the question that caught my eye during a random Google session. The answers consisted of some lugubrious comments to the effect that poetry, like the novel, is dying. It is hard to believe that poets were once considered celebrities, and that poetry was once a pre-eminent form of entertainment. We also generally refrain from mentioning poetry and politics in the same breath. 'Twas not always thus.
Now, the forces of annihilation once again cohere, as if this were a valve in history's cardiac arrhythmia that faltered and unleashed a haemorrhage of horror, trauma, fear. The damask roses bloom unharvested in devastated fields. Their perfume cannot mask the stench that permeates the air, the atmosphere of dread, of mute despair. But when the juggernaut of war is redeployed elsewhere, the fragrant fields will come into their own, if there are hands to care.
TS Eliot's 'Journey of the Magi' ends with the ambiguous line, 'I would be glad of another death'. If we set alongside one another the birth of a new and sour political order and the birth that is central to the first Christmas story, we are challenged to resolve the ambiguity. We may give up our hopes for a just and peaceful world, retire from it as gracefully as we can, and accept the victory of power and brutality. Or we can return to the Christmas story and to the hope that is central to it.
When we were all younger, I wrote about my three sons. In the words of Sir Thomas More, their characteristics strangely tugged at my heart, and like More, I fed them cake, ripe apples and fancy pears. Among other things. But eventually there was a mild rebellion about the writing, in the course of which my eldest threatened to send me a bill. Now I write about my grandchildren, three boys and a girl, who are too young as yet to be so commercially minded.
Thinking my jadedness of the nine-to-five was vindicated, I crossed the road at lunchtime where this tow-truck was waiting its turn at the lights. The trucker had 'Born on the Bayou' by Credence blasting through open windows. Thought he had an amazing sound system. Then realised he had a drum-kit set up on his dash and was going for it with his sticks in time to the tune. He made his day job look easy — and all of a sudden I felt like a small little angry man. He made my week.
I bite on life. The bitterness will daunt but not defeat me. And I hear you. I can never give you voice. My dreams take speed. My Baghdad dreams take speed. My rest my head against the pillow of the west ... Exclamation bombs my Baghdad ... You don't have long to live sweet parliament.
There is another life where we end up together. We wake in the same bed, startled but not sorry; the timber frame is warm, hand-caulked with the day-to-day dedication of the long haul. The air between us no longer electric, all now sanded smooth. But whose dog jumps on the end of that bed: yours or mine? I don't plan to think about my husband or your wife; let's leave my son right out of it. Fantasy, no more dangerous than eating gelato and dreaming of Mark Ruffalo.
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